Dirck van Baburen
Democritus, The laughing philosopher
Laughing Democritus surfaced on the Swiss art market in the spring of 2020 after having not been seen in public in decades. Wayne Franits, Ph.D (Distinguished Professor of Art History, Syracuse University) had only been familiar with it from old black-and-white photographs that he had studied . Both Laughing Democritus and its pendant Weeping Heraclitus were attributed to the supposed joint studio of Terbruggen and Baburen. Presently, he no longer believes that the two masters shared a studio. Particularly helpful for my reevaluation of this tenuous hypothesis was Julia van den Burg’s Bachelor of Art History thesis completed in 2009 at the University of Amsterdam under the auspices of Marten Jan Bok. Van der Burg challenged the very existence of a joint workshop between Terbrugghen and Baburen. Her probing analyses of, among other things, the physiognomic features of figures in select paintings by these two artists led her to conclude that the potential number of common models between them was nominal and, surprisingly, if anything, Ter Brugghen and Honthorst seemed to have shared more motifs and hence enjoyed a closer working relationshipvan den Burg, “Atelier Practices in the Seventeenth Century: The Question of a Common Workshop by Ter Brugghen and Van Baburen”, Bachelor of art history thesis, University of Amsterdam 2009.